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Tarl_Cabot wrote:a new ETV Gold trailer Yes screaming  ("Wir sind stolz" ETV knows to outdo oneself always again
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If Scarlet would start to cry please don't write about conspiracies, it's just the onion.
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a new ETV Gold trailer
and also the new Shower Show trailer |
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WILSONSAND wrote:.... there are models like Gia who are waiting for the camera to start a movement or action, ..... I agree at all except Gia. She'll never start a hot action, unfortunately. She is very beautiful but ... I wish me to be wrong. |
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JohnGuitar wrote:WILSONSAND wrote:Too many models, a litle attention from the camera to Gia. The camera goes from model to model, such as dancing, and when it comes to Gia, stops just 2 seconds and goes again. Time is not shared equally by all, some of them get much attention, some a little, and others almost nothing. Gia is amazing despite all odds. I agree with you.There are things hard to understand, like why there must be a soft model in night show to seem like a penguin in a elevator, an outsider who does nothing erotic. I don' t understand that she steals time for all that models who do something erotic at the time. Either understand that cameras give more attention to models who are not doing anything at that time. I think the cameras have to look and to chose the best images for the show. I don't understand how the camera goes off to give up something good for the mere fact of having to show all the models on screen. If the director do that, has to be selective with the times and the models, I noticed that sometimes there are models like Gia who are waiting for the camera to start a movement or action, and just starts, the camera goes and shows us something that its not really interesting. It is as if the director of a tv football game decides to show the coach's face just as Rooney scores goal. I think it's a strategic mistake. I think the director has to take the moments of the models, power them as possible and encourage the activity, not passivity.Otherwise, the director will be wasting the potencial of the models, and Gia is the perfect example of erotic moments lost in a crowd of models. The show now seems like a store window with a camera hanging around and showing the products of the store rather than a show. The consequence is that the excessive movements of the camera makes the models statics. |
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WILSONSAND wrote:Too many models, a litle attention from the camera to Gia. The camera goes from model to model, such as dancing, and when it comes to Gia, stops just 2 seconds and goes again. Time is not shared equally by all, some of them get much attention, some a little, and others almost nothing. Gia is amazing despite all odds. Hi everybody what WILSONSAND complaining is the fact that I exposed long time ago. Ten models are messing up the show and the regie or cameramen get the chance to spoil the show and strain our nerves. I have nothing against any model but need to undreline one thing: models like Randa and Aria get focused longer while Gia and Scarlet being continuosly shattered by the camera. As you said my friend the camera's job should be fairness and equal oppurtunity. |
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Tonight's group is great.
Let's see what kind of a show they'll make 
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Ah the bard! A little tear is forming in this Scotsman's eye
 Good to see a Hans show again!
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21.00 hours the Italian course erotic as watching a show and see ETV Lillian, Angie build scenarios and do maintenance to the study of their recovery is appropriate.
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Hmmm ...
Skilled construction work going on and covered in some detail ... I hope someone's recording this for posterity ... 
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I think girls talking to herself in the mic,
and somebody is writing massages to. |
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laax wrote:It becomes worst day by day And night by night  Last week Thursday show was for this poor and dark time a relative good show (good=naked) unless ETV is practising the say (so it looks right now) yesterday was better than today and tomorrow will be worse than today
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Watcher wrote:snip "yes" - and I also appreciate what is happening now - as will some others. you can't please all of the people all of time, whatever you do |
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